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Alt Matey (Andreas Leonidou)

2011-11-15T14:21:00.000+01:00

Matey is a four-weight typeface for logos and titles. Featured on TypographyServed.com

Fatgami (Andreas Leonidou)

2011-11-15T14:18:00.003+01:00

Fatgami is a origami typeface for use on logos and titles.

Vxtr11 (Andreas Leonidou)

2011-11-15T14:17:00.000+01:00

Vxtr11 is a experimental typeface for use on logos and titles. This typeface is not for text!

Alternative (Andreas Leonidou)

2011-11-15T14:14:00.000+01:00

Alternative is a condensed three-weight typeface for logos and titles.

Alt Devile (Andreas Leonidou)

2011-11-15T14:10:00.000+01:00

DEVILE is a gothic medieval font its something new for me. I never tried to create a font like this before so check it out.

Alt Retro (Andreas Leonidou)

2011-11-15T13:39:00.001+01:00

Alt Retro is the latest free typeface from Graphic Designer & Illustrator Andreas Leonidou.

FatC (Aleksander Shevchuk)

2011-11-15T13:37:00.001+01:00

Smart Designer Aleksander Shevchuk about his great free font FatC:

One day I woke up and thought, why should not I make the font which used the perfect balance form with heavy black round and hair line, like Giambattista Bodoni. This script is the most perfect balance. My font is fully rounded, because I believe that this positive effect on eyesight.

Hyperbola (Tarin Yuangtrakul)

2011-11-15T13:34:00.001+01:00

The fresh free font Hyperbola, by designer Tarin Yuangtrakul from Bangkok, is inspired by a mathematics curve.

Infinity (Tarin Yuangtrakul)

2011-11-15T13:31:00.001+01:00

Infinity free font, by designer Tarin Yuangtrakul, was created from the simplicity of lines and curves with round corner and cap. The name comes from guides for creating, they are similar to number 8 and infinity symbol. For my personality, I really like the number 8 because it is my birth date. Because of my lineage, in China, The word for the number 8 (八 : bā) sounds similar to the word which means “prosper” or “wealth”, the number 8 is viewed as such an auspicious number that even being assigned a number with several eights is considered very lucky. The font is applicable for any type of graphic design – print, web, motion graphics, etc.

Bennudiseño (Diana Pazo)

2011-11-15T13:28:00.001+01:00

Diana Pazo: »BENNUDISEÑO™ is a font designed for my web site and personal visual identity, a design based on geometric shapes, perfect circles that draw rings around specific types. A hallmark of the source is the angle of tilt and the separation between the body of certain types.«

Deibi (Wete)

2011-11-15T13:25:00.001+01:00

Deibi by Wete was created just for practice and have fun.

Favela (Wete)

2011-11-15T13:19:00.001+01:00

Favela from Wete is inspired on the brazilian pixaçoes.

Weston (Fontfabric)

2011-11-15T13:14:00.001+01:00

WESTON is a new rounded slab-serif font designed by Pavel Pavlov for FONTFABRIC.The main purpose is to provide designers with font, suitable for modification in logos and headlines. Combined wisely, Weston will spice up your design adding the “not-your-usual-font-choice” effect. Inspired by the evergreen Grover & Rockwell, this font would love to find his place in your library.

Regular & Light All Caps versions are available for free download @ www.fontfabric.com

The whole family will include Light, Regular, Bold, Black and our favorite Inline + small caps.

Satellite (Matt Yow)

2011-11-15T13:11:00.001+01:00

The free font Satellite is a real beauty! by Designer Matt Yow. Matt is a student at The Savannah College of Art and Design in Savannah, Georgia. Satellite is a geometric sans serif with 194 glyphs. Standard & discretionary ligatures & directional arrows are included as well as multiple language support. This typeface is great for headlines or light bodies of text.

Otama e.p. (Tim Donaldson)

2011-11-15T13:09:00.001+01:00

Otama e.p. is a excellent free font for selling expensive and fashionable things. Typodesigner Tim Donaldson is the creater and one of the creative minds of The Suburbs.

MediaPigeons (Martin Wenzel)

2011-11-15T11:14:00.000+01:00

Martin Wenzel: »MediaPigeons. 17. Jahrhundert, ganz grotesk. Man nehme manieristische Kalligrafie des 17. Jahrhunderts (z.B. Jan van den Velde) und reduziere den Kontrast der Buchstaben-Formen auf ein Minimum. Die Idee entstand ursprünglich aus einem Auftrag heraus, eine Schrift für eine Kunstausstellung zum Thema Tauben zu entwerfen.«

Drift (Peter Skwiot Smith)

2011-11-15T10:25:00.000+01:00

Drift is a free, handset EPS font. It contains capitals, numerials and basic punctuation. It is distributed in with the letters in both strokes and solid vectors, for more flexibility. Files are saved as Adobe Illustrator CS3 EPS.

Goudy Bookletter 1911 (Barry Schwartz)

2010-03-16T08:42:00.000+01:00

The great & free typography font Goudy Bookletter 1911 is made by Barry Schwartz and based on Frederic Goudy’s Kennerley Oldstyle.

A few words on why I think Kennerley Oldstyle is beautiful: In making this font, I discovered that Kennerley fits together tightly and evenly with almost no kerning. Thus the following words from Monotype specimen books are just: “[W]hen composed into words the characters appear to lock into one another with a closeness common in early types, but not so often seen in later-day creations.” These are letters that take command of the space around them; notice, for instance, the bowed shapes of the v and w.

Sketchetica (Ossi Gustafsson)

2010-03-16T08:36:00.004+01:00

The new free font Sketchetica by Ossi Gustafsson is a mix between sketch an helvetica. The weight light you get free at the portfolio -> typefaces (via MyFonts.com).

Kilogram (Karl Martin Sætren)

2010-03-16T08:29:00.001+01:00

KalleGraphics is the portfolio from Karl Martin Sætren and he is the creator from the excellent free font Kilogram. Don’t miss it!

These are freeware fonts and can be downloaded and used free of charge for both non-commercial and commercial use. Although these fonts are available for free, KalleGraphics™ retains the copyright, meaning that restrictions apply to alteration, reproduction, publication and distribution of the fonts. Practically you are not allowed to sell the fonts for profit or to include it in another product or CD-ROM compilation without permission.

A_B_ Stochome Modular (Adam Brandon)

2010-03-16T08:27:00.002+01:00

A_B_ Stochome Modular Typeface from Adam Brandon has 2 weights, vector and hand drawn.

Raleway (Matt McInerney)

2010-03-16T08:22:00.002+01:00

Raleway is an elegant sans-serif typeface, designed in a single thin weight. It is a display face that features both old style and lining numerals, standard and discretionary ligatures, a pretty complete set of diacritics, as well as a stylistic alternate inspired by more geometric sans-serif typefaces than it’s neo-grotesque inspired default character set.

Franchise Bold (Derek Weathersbee)

2010-03-09T08:51:00.002+01:00

FRANCHISE is a powerful new display typeface meant to communicate your message quickly and with power. The characters were meticulously drawn to achieve a unifomity without compromising style. Franchise is just as much at home on the front of a donut shoppe as it is on the scoreboard at a football stadium. The face was created & kerned by someone who deals with type every day, so with Franchise, you won’t be spending all day fixing the space between A’s and Y’s. Happy Typesetting!

Deibi (Wete)

2009-11-16T09:26:00.003+01:00

Deibi comes from Wete.

Retro Super Skinny/Stark Debonair (subflux)

2009-10-28T00:07:00.003+01:00

Original designer: Robert Stark, 1975, VGC.

Digital substitute: Retro Super Skinny from subflux

McLane (The Cartoonist)

2009-10-27T10:36:00.005+01:00

The Cartoonist (Ralf Zeigermann) made a typeface out of the titles of the science fiction TV series »Raumschiff Orion«: Mc Lane

Here the words from Ralf Zeigermann:
The Raumpatrouille Titles. I still think this is a rather modern looking typeface, even by today's standards. It's slightly reminiscent of the wide-running Eurostile typeface, but it's certainly not any known font. Hand-drawn, perhaps?
According to Josef Hilger, long-time fan and curator of the Raumpatrouille Museum, the titles were indeed drawn by hand. In the mid-sixties, this was probably done with a ruling pen on thick cardboard, then filled in with a brush.
Another version of the typeface surfaced many years ago, probably on Compuserve, which was created by someone unknown and was called »Star Patrol«.
After a discussion in the Frog Mailing List, I decided to give it a go myself. Anyone who wants to recreate the 'Raumpatrouille Font' is faced with the above problems — which version to go with? Also, there are a few characters missing in the titles. For example, I couldn't find an "x" anywhere, so I had to make it up, along with other 'missing' characters. Since there are so many different versions of the various letters in the original, I opted for the square version: a 5x5 matrix for the x-height.
I had to compromise. And I cheated too. Graphic designers always cheat.
I started off in fontstruct (which is great, but also rather limited) for the basic letter shapes, then downloaded the font to open it up again in FontLab, which a friend kindly lent me for the purpose of creating this darn Orion-Typeface.
And now it's all done and from my point of view the best Raumpatrouille font you can get for your computer. And that's simply because there is no other one. Enjoy.
I designed it as an Open Type .ttf and it's got got the basic Latin and some extended Latin, published under Creative Commons License 3.0, which means you can do whatever you like with the typeface; extend it, change it, or even mess it up completely. I don't care.
Final copyright is probably still with Bavaria Film.
Enjoy; grab the font and improve it. And if there are any problems, I really don't want to know. And don't get me started on the italics.

Noodles (happyloverstown, Jonathan Calugi)

2009-04-16T11:59:00.002+02:00

Quote: »NOODLES: A NEW FREE TYPEFACE MADE FOR NOODLEPARK. IT'S A SORT OF CLASSIC SHIT..... SIGN IN FOR DOWNLOAD IT :) ENJOY AND SPREAD LOVE« End of quote.

Beacon (Bouton)

2009-04-14T15:54:00.004+02:00

Boton Kursive by Bouton: »This is a knock-off of Becker-Medium; all the splines are hand-drawn originals. And I even included some chess piece silhouettes. I like the look of this font because it's medieval in appearance but a lot more legible than Blackletter faces such as Fette Fraktur. It's OpenType for Mac and Win.

Bouton Kursiv (Bouton)

2009-04-14T15:52:00.004+02:00

Boton Kursive by Bouton: »There comes a time in every typographer's life that they wax narcissistic and immortalize their own handwriting.Gary is certainly no exception: BOUTON Kursiv was designed from scans of what Gary considers his "artsy" block lettering. Variations are available in the upper and lower cases. OpenType for the Mac and Windows.«

Odyssey (Bouton)

2009-04-14T15:49:00.004+02:00

Odyssey by Bouton: »I wrote the steps on how to design this typeface using CorelDraw. But there's no reason, if you don't own Draw, that you can't own the typeface!«

Powdah (Marc Clancy)

2009-04-14T15:35:00.005+02:00

Powdah by Marc Clancy: »My first and last attempt at a real san serif typeface.«

Pseudolux (Marc Clancy)

2009-04-14T15:30:00.004+02:00

Pseudolux by Marc Clancy.

Minidib (Marc Clancy)

2009-04-14T15:28:00.003+02:00

Minidib by Marc Clancy.

Carbor (Marc Clancy)

2009-04-14T15:27:00.003+02:00

Carbor by Marc Clancy.

Bored (Marc Clancy)

2009-04-14T15:24:00.004+02:00

Bored by Marc Clancy.

Bloodwax (Marc Clancy)

2009-04-14T15:22:00.003+02:00

Bloodwax by Marc Clancy.

Bison (Marc Clancy)

2009-04-14T15:20:00.002+02:00

Bison by Marc Clancy.

Major Kong (Yuchi Adachi, 9031)

2009-04-14T15:14:00.002+02:00

Major Kong

UHF (Yuchi Adachi, 9031)

2009-04-14T15:12:00.002+02:00

UHF

Dimension (Yuchi Adachi, 9031)

2009-04-14T15:10:00.002+02:00

Dimension by Yuchi Adachi.

Pablo Skinny (Fargoboy)

2009-04-14T15:02:00.004+02:00

Pablo Skinny by Fargoboy

Molot (Roman Yershov)

2009-04-14T14:57:00.003+02:00

Molot

Junction (Caroline Hadilaksono)

2009-02-09T09:08:00.001+01:00

»Inspired by my favorite humanist sans serif typefaces, such as Meta, Myriad, and Scala, Junction is where the best qualities of serif and sans serif typefaces come together. It has the hand drawn and human qualities of a serif, and still retains the clarity and efficiencies of a sans serif typeface. It combines the best of both worlds.«

Ventisei (Formlos, Dav[id] Hubner)

2009-02-03T23:06:00.002+01:00

Ventisei, by Dav(id) Hubner (formlos). If you like Ventisei and want to support the development of further free fonts by formlos, please feel free to donate whatever you think is appropriate. ;)

Spade (Neutura, Alexander McCracken)

2009-02-03T22:58:00.010+01:00

Our good friend A McCracken from Neutura rarely climbs out of his cave. But now he does, and on his best mood he gives away his typefaces Spade for free.

Interpol (Neutura, Alexander McCracken)

2009-02-03T22:58:00.009+01:00

»Our good friend A McCracken from Neutura rarely climbs out of his cave. But now he does, and on his best mood he gives away his typeface Interpol for free.« (Via Typeneue)

Interpol (Neutra´´

2009-02-03T22:58:00.003+01:00

HI-FI (Neo2.es)

2009-02-03T22:48:00.001+01:00

HI-FI Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “HI-FI Typography Designed by Ipsum Planet for Neo2 ”.

Salami (Neo2.es)

2009-02-03T22:47:00.000+01:00

SALAMI (Fina, 100% y Extra) typography designed by created by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include SALAMI (Fina, 100% y Extra) typography designed by created by Ipsum Planet for Neo2 magazine ”.

Kassette (Neo2.es)

2009-02-03T22:45:00.000+01:00

KASSETTE Typography Designed by Joe Scerri Design for Neo2 magazine. All rights reserved Ipsum Planet 2006. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “KASSETTE Typography Designed by Joe Scerri Design for Neo2 magazine ”.

De Stijl (Neo2.es)

2009-02-03T22:44:00.001+01:00

DE STIJL Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “DE STIJL Typography Designed by Ipsum Planet for Neo2 ”.

Funk (Neo2.es)

2009-02-03T22:40:00.004+01:00

FUNK Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Neo2 2003. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “FUNK Typography Designed by Ipsum Planet 2003 for Neo2 magazine ”. Sieht ein wenig nach ITC Ronda aus, die inspirativer Pate für Moderna von Fontalicious gewesen sein dürfte.

Novich (Neo2.es)

2009-02-03T22:38:00.001+01:00

NOVICH Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “NOVICH Typography Designed by Ipsum Planet for Neo2 ”.

Sector-96 (Neo2.es)

2009-02-03T22:37:00.000+01:00

SECTOR-96 Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “SECTOR-96″ Typography Designed by Ipsum Planet for Neo2 magazine ”.

DNNR (Neo2.es)

2009-02-03T22:35:00.000+01:00

DNNR Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2004. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “DNNR Typography Designed by Ipsum Planet for Neo2 ”.

Brother (Neo2.es)

2009-02-03T22:33:00.000+01:00

BROTHER Typography Designed by SLANG for Neo2 magazine. All rights reserved SLANG 2005.This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “BROTHER Typography Designed by SLANG for Neo2 ”.

Maciza (Neo2.es)

2009-02-03T22:29:00.000+01:00

MACIZA Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2003. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “MACIZA Typography Designed by Ipsum Planet for Neo2 ”.

Get free (Neo2.es)

2009-02-03T22:27:00.000+01:00

GET FREE Typography Designed by Jarrik Muller for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “GET FREE Typography Designed by Jarrik Muller for Neo2 ”.

Strokes (Neo2.es)

2009-02-03T22:26:00.000+01:00

STROKES Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2003. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “STROKES Typography Designed by Ipsum Planet for Neo2 ”.

Error Postscript (Neo2.es)

2009-02-03T22:24:00.000+01:00

ERROR POSTCRIPT Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “ERROR POSTCRIPT Typography Designed by Ipsum Planet for Neo2 ”.

Pomegranate (Neo2.es)

2009-02-03T22:23:00.000+01:00

POMEGRANATE Typography Designed by Tauba Auerbach for Neo2 magazine. All rights reserved Tauba Auerbach 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should alwaysinclude “POMEGRANATE Typography Designed by Tauba Auerbach for Neo2 magazine ”.

Icon (Neo2.es)

2009-02-03T22:21:00.001+01:00

ICON Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include ” ICON Typography Designed by Ipsum Planet for Neo2 ”.

Legotype (Neo2.es)

2009-02-03T22:20:00.000+01:00

LEGOTYPE Typography Designed by Francisco Anguís for Neo2 magazine. All rights reserved Neo2 2008. This typeface can’t be sold or given to anybody. The commercial use of this typography should alwaysinclude “LEGOTYPE Typography Designed by Francisco Anguís. for Neo2 magazine ”.

Orquidea (Neo2.es)

2009-02-03T22:18:00.000+01:00

ORQUÍDEA Typography Designed by Natalia Mirapleix for Neo2 magazine. All rights reserved Ipsum Planet 2004. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “ORQUÍDEA Typography Designed by Natalia Mirapleix for Neo2 ”.

Rubik (Neo2.es)

2009-02-03T22:17:00.000+01:00

RUBIK Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “RUBIK Typography Designed by Ipsum Planet for Neo2 ”.

Laser Font (Neo2.es)

2009-02-03T22:15:00.000+01:00

LASER FONT typography designed by created by Oscar & Ewan for Neo2 magazine. All rights reserved Oscar & Ewan . This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “LASER FONT typography designed by created by Oscar & Ewan for Neo2 magazine ”.

Lobula (Neo2.es)

2009-02-03T22:14:00.000+01:00

LOBULA Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “LOBULA Typography Designed by Ipsum Planet for Neo2 ”.

Liquid Lines (Neo2.es)

2009-02-03T22:11:00.001+01:00

”LIQUID LINES typography designed by created by Jan Kiesswetter for Neo2 magazine. All rights reserved Jan Kiesswetter 2008. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “LIQUID LINES typography designed by created by Jan Kiesswetter for Neo2 magazine .”

Wash Type (Neo2.es)

2009-02-03T22:10:00.001+01:00

“WASH TYPE typography designed by created by Emilia Bertola Longhi for Neo2 magazine. All rights reserved Emilia Bertola Longhi 2008. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “WASH TYPE typography designed by created by Emilia Bertola Longhi for Neo2 magazine ”.

Molecular (Neo2.es)

2009-02-03T22:08:00.000+01:00

The “MOLECULAR Typography designed and created by Mithila Shafiq . All rights reserved Mithila Shafiq 2008. This typeface can’t be sold or given to anybody. Any use commercial or otherwise of this typography should always include MOLECULAR Typography designed and created by Mithila Shafiq ”.

THE FOLDED (Neo2.es)

2009-02-03T22:06:00.001+01:00

THE FOLDED Typography Designed by Anton Studer for Neo2 magazine. All rights reserved Ipsum Planet 2008.This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “The Folded Typography Designed by Anton Studer for Neo2 ”.

VAN BOSTELEN (Neo2.es)

2009-02-03T22:03:00.001+01:00

VAN BOSTELEN Typography Designed by Lowman / Jonathan Looman for Neo2 magazine. All rights reserved Lowman / Jonathan Looman . This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “Van Bostelen Typography Designed by Lowman / Jonathan Looman for Neo2 magazine ”.

Melville Too Bold (Melville Design)

2009-02-03T21:59:00.002+01:00

The designagency Melville from Munich, Germany, gives away their own corporate-font Melville Too Bold. It was developed by Florian Brugger they say. »Feel free to use it!!«, they say, too.

Sniglet (Haley Fiege)

2009-02-03T21:52:00.003+01:00

Sniglet is just a fun project I’ve been working on in my spare time :) It’s only ttf but has a reasonably complete character set for other languages.

Superbubbles (Superior Graphique, Sven Stüber)

2009-02-03T21:37:00.003+01:00

Superbubbles is from Superieur Graphique, which is graphic designer Sven Stüber from Berlin, Germany. 2008 he presented as an easter-surprise a quite fat display-freefont Superbubbles which comes in three weights: Regular, Cut and Outline. »Feel free to use the font« as the designer says.

Comic Jens (Jens Kutilek)

2009-02-03T21:24:00.001+01:00

»Comic Jens kommt von Jens Kutilek und heißt Comic Jens. Die Schrift besteht aus einem Regular- und einem Bold-Schnitt im modernen OpenType-Format. Beide enthalten je 303 Zeichen, darunter Ligaturen, kontextsensitive Buchstaben, Pfeile und lustige Symbole.

Jens Kutilek arbeitet bei FSI, dem Herausgeber der angesehenen FontFont-Schriftenbibliothek, und weiß daher, wie man eine ordentliche OpenType-Schrift herstellt. Comic Jens ist sein Privatvergnügen, und deshalb bietet er sie zum kostenlosen Download an, Creative-Commons-lizenziert. Mit anderen Worten: Für den Einsatz in Kindergärten, Vereinen, im Büro und zu Hause gibt es keinen Grund mehr, die allgegenwärtige Comic Sans zu verwenden.« (Text von fontblog.de)

Lacuna (Glashaus-Design, Peter Hoffmann)

2009-02-03T21:14:00.006+01:00

Lacuna von Glashaus-Design. Ein DIN ähnlicher Font, der einen Hauch der simplen Lineto-Ästhetik atmet.

»LACUNA is freeware! You have the permission to use the font for every kind of publication (electronic/print), it doesn't matter if its commercial or not. You can copy and give it away to your friends as long as the font-info-file is included with the postscript or true type data. Lacuna may not be sold or redesigned without permission of the designer! If you do so – we have uncanny voodoo-powers and friends in Moscow.«

Iwona (Janusz Marian Nowacki)

2009-01-26T16:13:00.002+01:00

Von Janusz Marian Nowacki für TeX entwickelt. 20 Schnitte mit Light, Regular, Medium, Bold Heavy, den Italicversionen dazu und jeweils auch Condensed-Varianten. Dazu kyrillisch, griechisch und weitere diakritische Zeichen für den Fremdsprachensatz. Die Iwona ist die Schwester der stencilähnlichen Kurier. Mehr Info bei Peter Reichard.

Kurier (Janusz Marian Nowacki)

2009-01-26T16:01:00.005+01:00

Von Janusz Marian Nowacki für TeX entwickelt. 20 Schnitte mit Light, Regular, Medium, Bold Heavy, den Italicversionen dazu und jeweils auch Condensed-Varianten. Dazu kyrillisch, griechisch und weitere diakritische Zeichen für den Fremdsprachensatz. Die Kurier hat eine leichte Stencil-Anmutung und wurde ursprünglich 1973 von der polnischen Schriftdesignerin Małgorzata Budyta entwickelt. Mehr Info bei Peter Reichard. Ohne Stencilabstände erscheint sie als Iwona.

We are aliens (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:55:00.004+01:00

We are aliens by starplusmultiply

What the hell (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:53:00.003+01:00

What the hell by starplusmultiply

Voodoo Doll (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:49:00.004+01:00

Voodoo Doll from the ID Handwrite-pack by starplusmultiply

Tazfont(starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:47:00.000+01:00

Tazfont from the ID Handwrite-pack by starplusmultiply

Numwaan (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:45:00.002+01:00

Numwaan from the ID Handwrite-pack by starplusmultiply

Jabjai (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:43:00.003+01:00

Jabjai from the ID Handwrite-pack by starplusmultiply

Kob? (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:39:00.002+01:00

Kob? from the ID Handwrite-pack by starplusmultiply

Kitty_01 (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:37:00.002+01:00

Kitty_01 from the ID Handwrite-pack by starplusmultiply

Beamba!! (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:34:00.002+01:00

Beamba!! from the ID Handwrite-pack by starplusmultiply

Talie (starplusmultiply, Kittiphat Sukamolson)

2009-01-23T12:30:00.004+01:00

Talie by starplusmultiply

Parka (Daniel Perraudin)

2009-01-19T08:50:00.004+01:00

»parka« ist eine serifenlose fließtextschrift, die im rahmen der diplomarbeit am studiengang informationsdesign der fh joanneum graz entwickelt wurde.
die formen der »parka« sind streng und, vorallem in den fetten schnitten, kräftig. der wechselschwung in den rundungen der gemeinen verleiht ihr einen prägnanten charakter, der allerdings in kleinen graden hinter das schriftbild zurücktritt. auch die hohe x-höhe, sowie die großen interpunktionszeichen tragen zu ihrer hervorragenden lesbarkeit bei.

nach fertigstellung umfasst sie mittlerweile insgesamt 6 gewichte, von light bis black, jeweils mit kapitälchen, echten kursiven, hoch- und tiefstehenden ziffern, brüchen und akzenten für die meisten europäischen sprachen. momentan liegt sie in den formaten postscript type1 (mac) und truetype (win) vor, eine opentype version mit einer entsprechenden ot pro belegung befindet sich in vorbereitung.
Auszeichnungen: red dot award für hohe designqualität, eine auszeichnung beim österreichischen joseph binder award, if concept award, tdc award for typographic excellence! … katharina hölzl, ebenfalls absolventin der fh joanneum graz, hat für einen teil ihrer ausstellung »transformation into space« beim diesjährigen designmai youngsters in berlin die »parka« in den schnitten medium und bold verwendet

HIFI Stereo (Pelle Piano)

2009-01-15T08:45:00.005+01:00

Pelle: »Often on old record covers there is this kind of letters indicating HiFi or Stereo. How can one resist doing a font of that, (naming it HIFI Stereo). Only uppercase at the time being.«

Well, it looks like Hellenic wide, if I can say so.

Worlds finest (Pelle Piano)

2009-01-15T08:43:00.002+01:00

Pelle: There was an old refrigerator ad in LIFE Magazine that claimed it had the Worlds Finest refrigerators, hence the name of the font I tried to recreate. The original was outlined but I decided to fill it. I personally think it works best in smaller sizes. The above example is 25 points

Hip 20s (Pelle Piano)

2009-01-15T08:39:00.004+01:00

Pelle: After seeing a commercial font in the same vein I decided to try to make one myself. Highly stylistic with some interesting kearning pairs and some odd ones. Making Hip 20s made me understanding the importance of installing the fonts properly. Just throw it on the System Folder and let your Mac do its thing, otherwise you may lose some important kearning pairs (the spacing between letters, there can be thousands of these in a font).

PP Handwriting (Pelle Piano)

2009-01-15T08:36:00.002+01:00

Pelle: I think every aspiring font designer makes a font out of his/hers handwriting. PP Handwriting turned out a little »cartoony«. Has lowercase letters, small representations of the Uppercase.

Nordic (Prismtone)

2009-01-14T11:19:00.003+01:00

Nordic von Prismtones. Sieht aus wie eine Kreuzung von DIN und Houschka. Zwei rounded Schnitte sind inkludiert.

Nevis (Ten by Twenty, Ed Merritt)

2009-01-14T11:15:00.001+01:00

Nevis: This strong, angular typeface is ideal for headings. It features 96 of the most commonly used glyphs (characters).

Jura (Ten by Twenty, Ed Merritt)

2009-01-14T11:14:00.002+01:00

Jura is a distinctive yet readable serif typeface, suitable for headings and body content alike. It features 96 of the most commonly used glyphs (characters).

Munro (Ten by Twenty, Ed Merritt)

2009-01-14T11:12:00.001+01:00

Munro: These pixel fonts are designed to be used at 10pt and multiples thereof. They’re ideal for using in Flash movies…
This free set includes Munro Regular, Munro Narrow and Munro Small.

Akashi (Ten by Twenty, Ed Merritt)

2009-01-14T11:10:00.002+01:00

Akashi is a stylised sans serif typeface featuring 158 of the most commonly used glyphs.

Graublau Sans Web (Georg Seifert)

2009-01-14T11:06:00.002+01:00

The design of Graublau Sans Pro took Georg Seifert over 5 years. With 7 weights and over 1000 glyphs per style, Graublau Sans is a type family that suits all typographic tasks. The regular styles have a rather clean and neutral appearance. The italics on the other hand, have a vivid design based on handwriting. For the use in headlines or logotypes Graublau Sans Pro offer 6 additional display styles with rounded corners and tighter spacing. Beside the typical western codepages, Graublau Sans Pro also supports Greek, Cyrillic, CE (Central European) and Turkish. There are also several sets of figures available: oldstyle figures and lining figures (both proportional and tabular), small caps figures, fraction figures, subscript and superscript figures and figures inside circles. The Graublau Sans Web package can be downloaded for free.