Junction (Caroline Hadilaksono)

»Inspired by my favorite humanist sans serif typefaces, such as Meta, Myriad, and Scala, Junction is where the best qualities of serif and sans serif typefaces come together. It has the hand drawn and human qualities of a serif, and still retains the clarity and efficiencies of a sans serif typeface. It combines the best of both worlds.«

Ventisei (Formlos, Dav[id] Hubner)

Ventisei, by Dav(id) Hubner (formlos). If you like Ventisei and want to support the development of further free fonts by formlos, please feel free to donate whatever you think is appropriate. ;)

Spade (Neutura, Alexander McCracken)

Our good friend A McCracken from Neutura rarely climbs out of his cave. But now he does, and on his best mood he gives away his typefaces Spade for free.

Interpol (Neutura, Alexander McCracken)

»Our good friend A McCracken from Neutura rarely climbs out of his cave. But now he does, and on his best mood he gives away his typeface Interpol for free.« (Via Typeneue)

Interpol (Neutra´´

HI-FI (Neo2.es)

HI-FI Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “HI-FI Typography Designed by Ipsum Planet for Neo2 ”.

Salami (Neo2.es)

SALAMI (Fina, 100% y Extra) typography designed by created by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include SALAMI (Fina, 100% y Extra) typography designed by created by Ipsum Planet for Neo2 magazine ”.

Kassette (Neo2.es)

KASSETTE Typography Designed by Joe Scerri Design for Neo2 magazine. All rights reserved Ipsum Planet 2006. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “KASSETTE Typography Designed by Joe Scerri Design for Neo2 magazine ”.

De Stijl (Neo2.es)

DE STIJL Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “DE STIJL Typography Designed by Ipsum Planet for Neo2 ”.

Funk (Neo2.es)

FUNK Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Neo2 2003. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “FUNK Typography Designed by Ipsum Planet 2003 for Neo2 magazine ”. Sieht ein wenig nach ITC Ronda aus, die inspirativer Pate für Moderna von Fontalicious gewesen sein dürfte.

Novich (Neo2.es)

NOVICH Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “NOVICH Typography Designed by Ipsum Planet for Neo2 ”.

Sector-96 (Neo2.es)

SECTOR-96 Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “SECTOR-96″ Typography Designed by Ipsum Planet for Neo2 magazine ”.

DNNR (Neo2.es)

DNNR Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2004. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “DNNR Typography Designed by Ipsum Planet for Neo2 ”.

Brother (Neo2.es)

BROTHER Typography Designed by SLANG for Neo2 magazine. All rights reserved SLANG 2005.This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “BROTHER Typography Designed by SLANG for Neo2 ”.

Maciza (Neo2.es)

MACIZA Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2003. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “MACIZA Typography Designed by Ipsum Planet for Neo2 ”.

Get free (Neo2.es)

GET FREE Typography Designed by Jarrik Muller for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “GET FREE Typography Designed by Jarrik Muller for Neo2 ”.

Strokes (Neo2.es)

STROKES Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2003. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “STROKES Typography Designed by Ipsum Planet for Neo2 ”.

Error Postscript (Neo2.es)

ERROR POSTCRIPT Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “ERROR POSTCRIPT Typography Designed by Ipsum Planet for Neo2 ”.

Pomegranate (Neo2.es)

POMEGRANATE Typography Designed by Tauba Auerbach for Neo2 magazine. All rights reserved Tauba Auerbach 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should alwaysinclude “POMEGRANATE Typography Designed by Tauba Auerbach for Neo2 magazine ”.

Icon (Neo2.es)

ICON Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include ” ICON Typography Designed by Ipsum Planet for Neo2 ”.

Legotype (Neo2.es)

LEGOTYPE Typography Designed by Francisco Anguís for Neo2 magazine. All rights reserved Neo2 2008. This typeface can’t be sold or given to anybody. The commercial use of this typography should alwaysinclude “LEGOTYPE Typography Designed by Francisco Anguís. for Neo2 magazine ”.

Orquidea (Neo2.es)

ORQUÍDEA Typography Designed by Natalia Mirapleix for Neo2 magazine. All rights reserved Ipsum Planet 2004. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “ORQUÍDEA Typography Designed by Natalia Mirapleix for Neo2 ”.

Rubik (Neo2.es)

RUBIK Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2002. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “RUBIK Typography Designed by Ipsum Planet for Neo2 ”.

Laser Font (Neo2.es)

LASER FONT typography designed by created by Oscar & Ewan for Neo2 magazine. All rights reserved Oscar & Ewan . This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “LASER FONT typography designed by created by Oscar & Ewan for Neo2 magazine ”.

Lobula (Neo2.es)

LOBULA Typography Designed by Ipsum Planet for Neo2 magazine. All rights reserved Ipsum Planet 2007. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “LOBULA Typography Designed by Ipsum Planet for Neo2 ”.

Liquid Lines (Neo2.es)

”LIQUID LINES typography designed by created by Jan Kiesswetter for Neo2 magazine. All rights reserved Jan Kiesswetter 2008. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “LIQUID LINES typography designed by created by Jan Kiesswetter for Neo2 magazine .”

Wash Type (Neo2.es)

“WASH TYPE typography designed by created by Emilia Bertola Longhi for Neo2 magazine. All rights reserved Emilia Bertola Longhi 2008. This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “WASH TYPE typography designed by created by Emilia Bertola Longhi for Neo2 magazine ”.

Molecular (Neo2.es)

The “MOLECULAR Typography designed and created by Mithila Shafiq . All rights reserved Mithila Shafiq 2008. This typeface can’t be sold or given to anybody. Any use commercial or otherwise of this typography should always include MOLECULAR Typography designed and created by Mithila Shafiq ”.

THE FOLDED (Neo2.es)

THE FOLDED Typography Designed by Anton Studer for Neo2 magazine. All rights reserved Ipsum Planet 2008.This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “The Folded Typography Designed by Anton Studer for Neo2 ”.

VAN BOSTELEN (Neo2.es)

VAN BOSTELEN Typography Designed by Lowman / Jonathan Looman for Neo2 magazine. All rights reserved Lowman / Jonathan Looman . This typeface can’t be sold or given to anybody. The commercial use of this typography should always include “Van Bostelen Typography Designed by Lowman / Jonathan Looman for Neo2 magazine ”.

Melville Too Bold (Melville Design)

The designagency Melville from Munich, Germany, gives away their own corporate-font Melville Too Bold. It was developed by Florian Brugger they say. »Feel free to use it!!«, they say, too.

Sniglet (Haley Fiege)

Sniglet is just a fun project I’ve been working on in my spare time :) It’s only ttf but has a reasonably complete character set for other languages.

Superbubbles (Superior Graphique, Sven Stüber)

Superbubbles is from Superieur Graphique, which is graphic designer Sven Stüber from Berlin, Germany. 2008 he presented as an easter-surprise a quite fat display-freefont Superbubbles which comes in three weights: Regular, Cut and Outline. »Feel free to use the font« as the designer says.

Comic Jens (Jens Kutilek)

»Comic Jens kommt von Jens Kutilek und heißt Comic Jens. Die Schrift besteht aus einem Regular- und einem Bold-Schnitt im modernen OpenType-Format. Beide enthalten je 303 Zeichen, darunter Ligaturen, kontextsensitive Buchstaben, Pfeile und lustige Symbole.

Jens Kutilek arbeitet bei FSI, dem Herausgeber der angesehenen FontFont-Schriftenbibliothek, und weiß daher, wie man eine ordentliche OpenType-Schrift herstellt. Comic Jens ist sein Privatvergnügen, und deshalb bietet er sie zum kostenlosen Download an, Creative-Commons-lizenziert. Mit anderen Worten: Für den Einsatz in Kindergärten, Vereinen, im Büro und zu Hause gibt es keinen Grund mehr, die allgegenwärtige Comic Sans zu verwenden.« (Text von fontblog.de)

Lacuna (Glashaus-Design, Peter Hoffmann)

Lacuna von Glashaus-Design. Ein DIN ähnlicher Font, der einen Hauch der simplen Lineto-Ästhetik atmet.

»LACUNA is freeware! You have the permission to use the font for every kind of publication (electronic/print), it doesn't matter if its commercial or not. You can copy and give it away to your friends as long as the font-info-file is included with the postscript or true type data. Lacuna may not be sold or redesigned without permission of the designer! If you do so – we have uncanny voodoo-powers and friends in Moscow.«